Tag Archives: William Bradley

Dopefiend Forthcoming from Central Recovery Press in October 2011!

Four Views of a Book Press

I signed a contract with a book publisher!

Dopefiend* is forthcoming from Central Recovery Press in October 2011. I am so excited and pleased.

Central Recovery Press first contacted me in early spring. I signed in late September. In-between was much book publishing drama. It’s nothing like what I imagined. I say that, but I am no longer even sure what I imagined. I just know I agonized over everything.

You always read about these wonderfully talented writers who were poor business people and ended up dying penniless and lonely in some terrible place. I was determined not to let that happen to me. I asked about print runs, wholesale and retail prices, and means of distribution, but the person I worked with—a kind soul from upstate NY named Tom Woll—liked to answer these type questions in general terms. I could never tell if he thought I was somewhat slow or if he was  just trying to protect me from myself.

Probably a little of both.

In the end, I had to reach out to all my writer friends and acquaintances for help. That’s what really turned the tide and helped me understand what was going on. It’s one thing to see yourself as a promising new voice. No matter how many rejections come, you’re always able to shrug it off. Writers get rejected. This is just what we do. In a sense, we’re manufacturing rejection. But being asked to deliver on a vivid and engaging manuscript is another story altogether. I didn’t see it right off, but now I realize I was overwhelmed, intimidated, and mabye even a little frightened.

Fortunately I had a host of writers and friends to rely on for everything from sanity checks to encouragement. Much thanks to: William Bradley, Dinty Moore, Matt Briggs, Rachael Brownell, Diane Diekman, Karna Converse, Carter Jefferson, Grace Skibicki, William Pitt Root, Tom Catton, Ira Sukrungruang, and I am sure a few others who I am forgetting as I write this.

And many thanks to Holly—a wonderfully talented writer in her own right, and my best reader and favorite critic—for putting up with me all summer long and for cleaning out some room in the house where I can write. I realize that I have been offered a wonderful opportunity, one that not many writers get.

Now my job is to write the best book I can produce.

*Dopefiend is the tentative title. I agreed to come up with a new title, but I haven’t found anything I like just yet.

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William Bradley in Brevity 32

William Bradley is the Ethical Exhibitionist. He is also an insanely talented writer. His work is featured in the latest Brevity, which just hit the Web.

One day, my dad came home at lunch with the newspaper—fresh off the press—in his hand.  “Do you know this girl?”  She looked more interesting in black and white.  “She’s missing,” he said.  “Her parents think she was kidnapped.” 

Julio At Large” by William Bradley

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Rough Beast: Stories of Exile and Unrequited Love

bannockstreet

My story, Jimi Don’t Play Here No More, which appears in Brevity 29, will also be featured in a new anthology titled, Rough Beast: Stories of Exile and Unrequited Love, from Bannock Street Books

Helmed by Sarah Black, Bannock Street Books is a new micro-press that specializes in handmade chapbooks that feature flash fiction and memoir (although flash memoir isn’t mentioned on the site just yet).

I’m delighted.

In other “Jimi Don’t Play Here” news, William Bradley linked to my story  from his blog. Bradley is none other than the Ethical Exhibitionist, which is something I bet we all wish we could say, but we can’t because Bradley thought of it first. 

I found his post this afternoon as I was browsing his site and was pleasantly surprised.

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