Category Archives: movies

3:10 to Yuma

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Just a great movie. This is a celebration of free-spirited individuality, a classic story of rising above one’s circumstances, just like most of the good old John Wayne and John Ford Westerns of the 50s and 40s. But it’s also got a Twenty-first Century sensibility, with Russell Crowe as Ben Wade, a personable cutthroat who actually wears a black hat and Christian Bale as Dan Evans, a gimpy farmer who clearly knows how to motivate even the most desperate of men. I don’t want to spoil it, but it’s got a great script. I particularly liked the two reveals from last reel as Evans convinces the outlaw Wade to do something crazy.

Eastern Promises

Eastern Promises best feature is a solid plot that doesn’t seem to fall apart with scrutiny.

Viggo Mortensen ends up being rather engaging as Nikolai, but I was on the fence about him and the whole movie for way too long. That’s bad, but by far the biggest problem is that all the characters and situations are fucking depressing. Except for Naomi Watts, the bleeding-heart lead chick, everyone is a fuck up that speaks Russian and wears poor fitting black leather jackets.

It’s also got a lot of blood churning slasher shots. When did thriller movies become the new slasher movies?

I liked the last half hour quite a bit, but the first hour and a half seemd to drag on for me.

The Bourne Ultimatum

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This is just a great movie.

It’s about redemption, but not just for Jason Bourne, an incredibly likeable assassin who discovered (in previous movies) that he has been turned into a killing machine by the government. Moreover, he has lost his taste for killing. In this movie, we discover his own complicity in the nasty business of turning himself into a killer. The movie doesn’t actually say, but one imagines it was September 11 that drove Bourne to such desperate measures. Now he’s sorry and wants to make up for it, indicting (but not killing!) all of the right wing loonies he’s been in bed with the past few years.

Bourne is an American everyman in a Post-Iraq-Goat-Rope-Brought-To-Us-By-Our-Paranoia world. In this movie, he has finally come around. Good for him.

Good for us.

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That View Not Available

 

I recently took my family to see the Disney movie Meet the Robinsons in 3D, yet I couldn’t discern any 3D. Yes, I did have my glasses on, as instructed. I still couldn’t see anything in 3D. What a rip off!

This is a terrible customer experience. I paid extra to see the movie in three dimensions, yet I was only able to view it in two. I want Walt Disney to come to my house and act out the movie for me. I can get my money’s worth and he can fulfill his contractual obligation.

I wonder if I can sue Disney? If you are a lawyer, would you please weigh-in on this?

But seriously: This was my first 3D movie, so I didn’t even realize I had this problem. Now I wish I had never gone! Instead of the comforting allure of knowing I will get around to seeing a 3D movie, I am now confronted with the cold reality of never being able to see a 3D movie. Ever.

How is this even possible? I thought seeing in three dimensions was the default view!

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Hard Candy and The Queen

I watched these two seemingly vastly different movies last week. One features a child molester and a psycopathic teenager, the other offers an uptight octogenarian and a young politician. They don’t seem to have anything in common, but really they do: unlikeable characters.

As far as unlikeable characters go the teenage psychopath (Ellen Page) isn’t so bad. I’ve dated girls who were arguably sicker and possibly more vindictive. But the child molester (Patrick Wilson) was too much for me. At one point, he makes a tearful confession to attempt to explain why he molests children. The idea here is to make his character more human, so that we viewers will switch allegiance from the teenage girl, and instead begin rooting for the pedophile. But it just completely backfires for me: I find myself wondering why I am watching a movie about such reprehensible characters.

Does anyone like being toyed with like this at the movies?

The quick answer is, “Yes!”

At least, I enjoyed watching the redemption of the distasteful royal characters in the Queen. Queen Elizabeth II (Helen Mirren) is delightfully imperious, even when she behaves so coldly toward poor Diana, Princess of Wales, who in some ways steals the show even with no character playing her part. Although Tony Blair (Michael Sheen) is never really an unlikeable character, he gets the most ham handed scene in the movie: halfway through, as we’re all but on the side of the Queen, he upbraids one of his colleagues for not realizing how strong, resiliant, and noble the Queen truly is. You can’t help but feel director Stephen Frears lost faith in his audience’s ability to grasp what was going on, and decided to have Tony Blair explian it all, as if it were a cheap detective story. Despite this scene, Sheen does a fabulous job, too.

The Pursuit of Happyness

 

This is the story of Chris Gardner (Will Smith), who makes very poor business decisions until finally, triumphantly, he becomes a millionaire stock broker. If it weren’t a true story, you would laugh at its Hollywood ending. But it is a true story. And if the movie’s ending seems like a fairy tale, its perspective seems also somewhat jarring. Typically Hollywood portrays stock brokers as shallow and self absorbed, but this movie holds them out as heroes. And Chris is going to break into their ranks no matter what it takes: We watch as he loses his marriage, his home, and ultimately his pride.

I love Chris’s penchant for remaining unflappable, despite being thrust into humiliating circumstances. At one point he is interviewing for a position in an upscale brokerage firm in a T-shirt and soiled pants. When the boss rhetorically asks what people would say if the firm were to hire a person who interviewed with no shirt, Chris unhesitatingly chirps, “He must have had on some really nice pants.”

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Pan’s Labyrinth

This is a dark fairytale about a little girl’s coming-of-age during the Spanish revolution. Ofelia, a young girl who loves fairy tales, is being brought to the country to live with her mother’s new husband, a dark Captain serving with the fascist forces. No sooner is Ofelia in the country, she begins fantasizing she has met a vaguely terrifying faun who sends her on quests.
 
All of the father’s in this movie are evil or weak: the Captain, the faun (I know this is sort of a metaphoric fatherhood role, but I gasped at one point when an imperiled Ofelia nuzzles with the faun, as any child might with a parent), even early on there is a peasant farmer who watches helplessly as the Captain slaughters his son. I found it creepy how Ofelia’s relationship to the faun sort of mirrored her mother’s relationship to the Captain. On one level it seems perfectly normal for Ofelia to imagine a character as dark as the faun, considering how the Captain eagerly risks Carmen’s life.

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