Category Archives: movies

After Life

If you’re interested in memoir, you might enjoy After Life, a Japanese film from about ten years ago.

The setup is that when you die, have three days to pick a memory that will then be turned into a film. This film then accompanies you into all eternity.

Much of the movie is shot as a documentary, so it’s a little slow in parts. There are counselors in this stage of life, who are tasked with helping the newly dead decide on a memory. There is no judgment hour in this hereafter. One of the new guys even makes a joke of it. “What, no hell? This is it?”

If there is no hour of judgment, the counselors do their best not to judge the dead people either, but this is where the film really shines. You can’t help but judge the people as they reveal themselves through their memories: one is a prostitute, another a lecherous old man (If you wait to pick your prostitute until 11 O’clock, you get a better bargain!), another a boring old man.

At least, I felt justified sizing up each of the newly dead, based on their memories. But as I watched the story unfold through the character’s memories, I realized not everyone is who they might seem. The memories are all true, but the context is everything.

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Indiana Jones and the Kingdom of the Crystal Skull

As it turns out, the best part of the new Indiana Jones movie for me was the anticipation and the nostalgia it evoked. I haven’t enjoyed the sequels nearly as much as I enjoyed Raiders of the Lost Ark. Harrison Ford does a fine job, but the script doesn’t hold together very well.

You can’t fault a franchise that’s a take off of pulp stories for having implausible action scenes, so I won’t. But all the character’s motivations seem muddled or just plain silly. I’m not going to list all my gripes, but let’s just say I wasn’t impressed.

Nevertheless, I still enjoy slapping my floppy rain hat on my head and pretending to be Indy with my kids. So there’s that.

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Iron Man

This is one of the best superhero movies so far.

I’m not sure what it is about superhero movies. I was so familiar with the Spiderman origin story I found the first Spiderman movie somewhat dull. Here is the big probem: You have to be loyal to the superhero source material, but then you risk boring the biggest fans of the material. I wasn’t as familiar with Iron Man, so I enjoyed seeing the story come to life.

Robert Downey Jr. is an excellent Tony Stark. Where most superhero movies are speical effects bonanzas, this is more of a character driven story with great visuals of giant robot fights. Good fun!

Stay to see the end credits: great easter egg at the end.

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Rocket Science

I saw this last weekend and loved it. It’s coming of age story, featuring Hal Hefner (Reece Thompson), a high school boy with a speech impediment. Hal doesn’t get the girl. Doesn’t learn how to speak normally. His father and mother break up and never get back together. His speech therapist acknowledges early on that he isn’t going to be much help. In fact, the only triumph in the entire movie involves Hal ordering a slice of pizza. Despite all this, it’s a feel good movie.

Highly recommended.

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Michael Clayton


I really enjoyed this movie.

Michael Clayton (George Clooney) is world weary and slick. He fixes every lousy situation that comes up at his firm, but can’t muster the strength of will to fix his own broke down life. Interestingly, his home life is in about the same shape as his firm, but this is only revealed slowly over the course of the picture, by revealing how bad off the firm actually is (the poor state of Clayton’s home life is established early on). By the time you understand how bad off things are at the firm, Clayton has already begun to see the light with his family. But this change in Clayton isn’t obvious until the final scene: the last scene felt like a toss-up, whether Clayton was looking for a pay off, or following the redemption trajectory. For me, the ambiguousness at the end was the highlight of the entire picture.

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American Gangster

I had been interested in seeing this, but somehow never got around to it until this weekend.

I had heard about Nicky Barnes and Frank Lucas when I lived in the Bronx. It seemed like every dope fiend had an opinion about who was the better businessman and who was nothing but a snitch. There was so much talk I hadn’t realized these guys were gangsters from the late 60s and early 70s.

Although it’s a true story, somehow the movie doesn’t seem to come together well. Lucas (Denzel Washington) is a smooth character, especially in contrast to the plodding Roberts (Russell Crowe). Lucas is held up as an icon of black entrepreneurial skill, despite being a gangster. I am used to movies with a bad guy that you sympathize with, but Lucas doesn’t really get a sympathetic treatment. He just is what he is. Roberts comes off like a mope.

Not sure what to make of it all.

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The Bank Job

I saw The Bank Job tonight, which is supposed to be based on a true heist story (aren’t they all!). The twist here is that some pretty heavyweight British political figures from the 70s had their asses on the line (literally and figuratively: blackmail is a big part of the plot), including one good looking princess cavorting with a few men somewhere in the Caribbean. Jason Stratham does a great job kicking everyone’s ass and getting the girl.

Playing Favorites: 2007′s Best Movies

Here are my picks (in no particular order):

Harry Potter and the Order of the Phoenix: The Potter movies are turning into a fine franchise and this one was probably my second favorite of the whole bunch. I find myself looking forward to them, even though I’ve read all the books and know the story. Imelda Staunton was deliciously wicked.

No Country for Old Men: Some smarty pants movie reviewer (probably David Bianculli?) said that none of the recent slew of Iraq war movies spoke to the dark times we’re in as well as this picture. I have to agree. It’s an unrelenting character study of evil.

The Bourne Ultimatum: Typically the heros in these kinds of movies kill with impunity, never giving a second thought to their actions. Everything is justified (presumably) because the bad guys are just that bad. This one breaks the mold, with its The-Bad-Guys-Are-Us plot.

3:10 to Yuma: In the old Westerns, the good guy was the good guy because he was the most dynamic, driven personality in town. 3:10 to Yuma is just like that, but now the chrisma extends to the bad guy, too.

The Lives of Others: There was lots to like here, from the stazi officer’s gentle seduction as he monitors the writer’s life, to the crazy paranoia in the stazi ranks (the lunch room scene was fabulous). I’m so glad they skipped the big romantic ending and opted instead for the much subtler book dedication ending.

28 Weeks Later: Good, tense, horror. I like that it didn’t depend on buckets of blood, but relied more on the psychology of guilt and betrayal for its tension. I wish zombie Dad hadn’t kept coming back, but this flaw wasn’t enough to lessen the movie for me.

Juno: Teen pregenancy is becoming its own little sub-catagory under the coming-of-age genre. I loved the snappy dialogue, the quirky characters, even the feel good ending.

That’s it. But there are a lot of movies I haven’t had time to see. My Netflix queue is packed with a ton of good stuff from 2007, including There Will Be Blood, Michael Clayton, American Gangster, and Gone Baby Gone.

In 2008, I have to get out to more movies!

No Country For Old Men

 

The triumph of evil over good.

Good has nothing going for it in this movie. The last violent scene felt like the punch line to the whole movie: Not even random bad luck can stop an evil man. In contrast, Moss (Josh Brolin) refuses to abandon or even mess around on his wife and for this he gets greased by a truck full of Mexican drug dealers.

Sheriff Bell (Tommy Lee Jones) is a good guy, but he can’t stop even a single one of the bad things that happens. The old man with the cats saying he would forgive the person who (presumably) had put him in the chair is good, but his situation is pretty bleak. Hell, Moss would have gotten off scot-free if not for his need to do a good deed.

Chigurh (Javier Bardem), the bad guy with the bad hair (and an unpronounceable name), steals the show. The scene with the coin and the old Texas gas station attendant is more effective at articulating an evil character than anything else from recent memory. And it contains no blood.

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