Filed under writing

The Newest Best Sex Writer of Them All

bestsex12

I’m proud to announce that my story, An Unfortunate Discharge Early in My Naval Career, has been selected for Best Sex Writing 2012!

I’m so pleased. The Best Sex Writing series is from Cleis Press and has been around for a few years. Rachel Kramer Bussel edits. I went to see her at Elliott Bay when she was promoting Best Sex Writing 2010 with Kerry Cohen and the amazing Janet Hardy.

Rachel is incredible.

As I remember it, she was feeling sick, but had showed up in the most amazing slinky black dress with these incredible red platform shoes and she slowly walked from the back of Elliott Bay to the lectern in those fabulous shoes – clipping, clopping – and we were all watching and she was just so poised and graceful and you could tell it was a hard night for her, but she was there, daintily dabbing her nose with a tissue, and looking so good, and so professional, and I thought: I must work with this woman. She is just amazing. If you try to friend her on Facebook, you get a little note from Facebook that says, Rachel Kramer Bussel has too many friends already. Fuckin’ A, baby. How awesome is that?

This year Susie Bright selected the stories. I’m so proud. I wonder if Rachel will organize a reading tour for this one, as she did with Kerry and Janet. Now that I realize how difficult it is to get the book stores to let you give a reading, I have new found respect for authors and editors who somehow find a way past the gate. I’ve been turned down by a few of the big stores already. Maybe working with Rachel I will finally get my heart’s desire.

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Dopefiend, Now Available for Pre-order on Amazon

dopefiend

Here it is!

The cover art is ready. The book is in the final stages of copy edit. In a few weeks, the galleys should go out. Amazon lists the release date as September 1. Amazon also says my book is number 1,449,102 in Books. Already.

Well, it’s good to know where you stand, I suppose.

I have setup an Amazon author page, a blog, and a Facebook page for the book. If you are on Facebook, give me a Like. I could use it.



I am still trying to figure out what I ought to post to the book blog. I have categories for People, Places and Things. In treatment, the standard warning we issued to one another was to watch out for people, places, and things. It was a reminder that one ought to be wary about the people you hung out with, the places you allowed yourself to visit, and the things you got involved with. On the blog, it hasn’t quite gelled into a posting strategy.

But I’m optimistic.

I’m mostly posting about book related things. I have one post about Steelton. At some point, I’m going to post a story about the night this mug shot was taken.

Dopefiend

And, of course, as we pull our plans together for a book tour, I’ll add those to the blog. Keep coming back. It’s going to be grand!

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Tim Elhajj in Brevity

Trusty blue nova

I’m pleased to announce that my story, Sobering, appears in the Winter 2011 issue of Brevity.

Brevity has this to say about the issue:

The Winter 2011 issue of Brevity offers eighteen concise essays — rich examples of the experimentation, illumination, and surprise that can come with the very brief form.

Included is one our briefest essays yet, from the esteemed Steven Barthelme, and some of our favorite authors returning for an encore, including Richard Terrill, Lance Larsen, and Tim Elhajj. Meanwhile, Linsey Maughan graces us with her first creative nonfiction publication ever, and more than a few graduate student authors display their growing talents and strengths.

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Sweet – A Literary Confection of Poetry and Creative Nonfiction

Satisfaction at Cape Disappointment appears in the Winter issue of Sweet, available right now.

I’m pleased to be in the company of such stalwart artists as Dinty W. Moore, Rachel Furey, Barrie Jean Borich, Iza Wojciechowska, Sean Michael Wilson, Nin Andrews, Susan Lilley, David Sklar, Nick McRae, and Hillary C. Katz.

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2010 in Review: the Blogging Edition

The stats helper monkeys at WordPress.com mulled over how this blog did in 2010, and here’s a high level summary of its overall blog health:

Healthy blog!

The Blog-Health-o-Meter™ reads Wow.

Crunchy numbers

Featured image

The average container ship can carry about 4,500 containers. This blog was viewed about 24,000 times in 2010. If each view were a shipping container, your blog would have filled about 5 fully loaded ships.

In 2010, there were 39 new posts, growing the total archive of this blog to 277 posts. There were 37 pictures uploaded, taking up a total of 4mb. That’s about 3 pictures per month.

The busiest day of the year was January 7th with 437 views. The most popular post that day was Modern Love in the New York Times.

Where did they come from?

The top referring sites in 2010 were facebook.com, quartertothree.com, en.wordpress.com, search.aol.com, and search.conduit.com.

Some visitors came searching, mostly for present tense, tree fort plans, tree fort, play fort plans, and sketchup.

Attractions in 2010

These are the posts and pages that got the most views in 2010.

1

Modern Love in the New York Times March 2009
24 comments

2

True Stories July 2008

3

The BFG November 2007
2 comments

4

About Tim Elhajj February 2007

5

I Am Not Your Broom July 2008

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Got Junk?

Holly and I are collaborating on an online literary magazine called Junk. From the press release:

Tim Elhajj and Holly Huckeba have joined forces to bring you Junk, a literary fix at http://www.junklit.com. We’re a nonfiction literary magazine that focuses on addiction, but you don’t have to be an addict to submit to us.

That white elephant (pictured) is Whitey, our mascot. When it comes to memoir about addiction, Whitey is the (literary) elephant in the room that no one talks about (shhhh).

We just published our first official issue, a touching story from Elizabeth Westmark called Detritus.

Holly and I have some work posted, too. Check it out. I’d love to get your feedback. This is something I have always wanted to do and I’m so pleased it’s finally coming into its own.

I have always felt very strongly two things: 1) our creativity is one of the most powerful forces each of us has for creating good in the world; 2) memoirs about addiction and addicts are legion, but for some reason this work only appears in the same predictable ways, time after time. Junk is an attempt to bring these two ideas together and have some fun.

But mostly have fun.

I can’t tell you how thrilled I am that Holly has agreed to work with me on this. I love working on creative projects with her but only realized this a few years ago, when Holly signed up to create memory books for the entire fifth grade as our kids graduated to middle school. It was early in the school year and she asked if I wanted to be part of it.

I laughed. “No way,” I said. “Count me out.”

Of course the plan for the memory books expanded. Then it contracted. Some of the fifth graders were confused. Others were prolific. Finally we came upon zero hour: it was the weekened before the memory books were due. Holly had so many stacks of art work, a few lists of names, and a lot of ideas.

“Are you going to help,” Holly said.

What could I say? Of course I would.

We ordered pizza for the kids and temporarliy lifted all TV and video game restrictions. We took all the art work to my office and spread it out on a ping pong table. The coffee machine clucked to life. We started trading ideas. The copiers and printers began humming. We got out the sicssors and started doing layouts.  The paper cutter made its chop chop noise. We sent out for Chinese. Finally, in the middle of the night, those memory books started coming to life. I had no idea it would be so much fun.

This weekend before last, Holly and I were at it again. We scoured our little corner of Washington to capture a photograph to go with Elizabeth’s fine story. What fun!

We posted the press release on the blog for the journal, where we post updates about research, all types of addiction, or literature that strikes our fancy. Our goal is to use the blog to create a community around the journal and see what happens.

Won’t you join us?

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Dopefiend Forthcoming from Central Recovery Press in October 2011!

Four Views of a Book Press

I signed a contract with a book publisher!

Dopefiend* is forthcoming from Central Recovery Press in October 2011. I am so excited and pleased.

Central Recovery Press first contacted me in early spring. I signed in late September. In-between was much book publishing drama. It’s nothing like what I imagined. I say that, but I am no longer even sure what I imagined. I just know I agonized over everything.

You always read about these wonderfully talented writers who were poor business people and ended up dying penniless and lonely in some terrible place. I was determined not to let that happen to me. I asked about print runs, wholesale and retail prices, and means of distribution, but the person I worked with—a kind soul from upstate NY named Tom Woll—liked to answer these type questions in general terms. I could never tell if he thought I was somewhat slow or if he was  just trying to protect me from myself.

Probably a little of both.

In the end, I had to reach out to all my writer friends and acquaintances for help. That’s what really turned the tide and helped me understand what was going on. It’s one thing to see yourself as a promising new voice. No matter how many rejections come, you’re always able to shrug it off. Writers get rejected. This is just what we do. In a sense, we’re manufacturing rejection. But being asked to deliver on a vivid and engaging manuscript is another story altogether. I didn’t see it right off, but now I realize I was overwhelmed, intimidated, and mabye even a little frightened.

Fortunately I had a host of writers and friends to rely on for everything from sanity checks to encouragement. Much thanks to: William Bradley, Dinty Moore, Matt Briggs, Rachael Brownell, Diane Diekman, Karna Converse, Carter Jefferson, Grace Skibicki, William Pitt Root, Tom Catton, Ira Sukrungruang, and I am sure a few others who I am forgetting as I write this.

And many thanks to Holly—a wonderfully talented writer in her own right, and my best reader and favorite critic—for putting up with me all summer long and for cleaning out some room in the house where I can write. I realize that I have been offered a wonderful opportunity, one that not many writers get.

Now my job is to write the best book I can produce.

*Dopefiend is the tentative title. I agreed to come up with a new title, but I haven’t found anything I like just yet.

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Tim Elhajj in Guernica

A portrait of Tim Elhajj as a young seaman

I have a story up this morning at Guernica, a delightful online magazine that rides the slim line between mainstream news site and literary journal. I am so proud of  my story, An Unfortuante Discharge Early in My Naval Career. I am so pleased it found a home at Guernica.

I have tried with varying amounts of success to write about this experience before. I have always known I would write about it again one day, but I probably wouldn’t have attempted it this time around were it not for a brief craft essay written by Kerry Cohen that appeared on Brevity early this year (discussed here).

Once I started writing, the story came surprisingly quick, but I had a bit of trouble with the ending. I’m not a very political person, but Gay Rights is one of the few issues I do feel strongly about, and I wanted to find a way to present my feelings in an overt fashion, but it kept coming out wrong—like a writer who knows he is not very political, but who nevertheless tries to make some deep political statement known.

Despite these problems, I started sending it around. I received a lot of positive comments, but most pointed to the unsatisfying ending. I started thinking about the wisdom of trying to sound like a particular type of writer. Not that there is anything wrong with overtly political writing, but I’m the kind of writer who likes to let the story to do its own talking. I needed to find a way to let the story speak for itself. What you’ll find on Guernica is what I came up with.

There is one line in particular that I won’t share here, but of which I am particularly proud. I suggested to my wife that this very line might one day find its way into all my future bios. She laughed. I hope you’ll agree that this story is a powerful political statement, but it’s more than that to me because it’s uniquely mine: not that reveling in one’s own sexuality is a terribly original idea, but it’s told in a way that could only have come from me. Huzzah!

Many thanks to Katherine Dykstra, the wonderfully smart and supportive editor from Guernica, who had some great suggestions for this piece. Also, thanks to William Bradley, who introduced me to Guernica by posting something about it to his blog earlier this summer. I have learned more about the shape and breadth of creative nonfiction by following William’s blog than by following\reading any other single blog or book. My man.

And, of course, I want to thank my wife Holly, and my oldest son Tim, who have both been so supportive as I write about all manner of nonsense from my past. Thanks you two: I don’t say it nearly enough, but I’m really grateful for your ongoing support.

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Tim Elhajj in Together Magazine

I’ve got a piece up in Together, a new recovery oriented newspaper for the New York area. I’m revisiting the James Frey boondoggle, but looking at it from a new (I hope) perspective. Check it out: The Millionth Word on “A Million Little Pieces.”

Together appears online and in print. I just got my print copy, and it looks like a gas, not just for people in the recovering community but for anyone interested in a more healthful, contemplative life.

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Brevity Magazine: Concise Literary Nonfiction

 

Brevity is another good venue for nonfiction writers.

Essays published on Brevity are 750 words or less. Flash nonfiction, a twist on flash fiction, which Wikipedia tells me has been popular for about twenty or more years, meaning it’s a form that’s really come into its own with the advent of the Web and (presumably) online journals. You won’t find too many journals devoted entirely to nonfiction, and fewer still are nonfiction journals that impose a word count on essays. I can think of only Brevity.

Brevity also has a blog, which is a good place to read about publishing opportunities for nonfiction writers, the latest nonfiction furor or book, and—best of all—brief blog posts from authors who appear in the latest issue of Brevity magazine. These author posts are my favorites, offering insight or commentary on some aspect of the published story—think of it as an author reading in print.

Dinty Moore (Between Panic and Desire and The Accidental Buddhist) is Brevity’s editor. Warm, generous, smart, Dinty has published some of my pieces, turned some other pieces down, and even helped me with my childhood memoir project, which I’m still hammering away on. He’s a great guy.

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